Excerpt from Thelonious Monk: American Composer, Masters of American Music Documentary (1991). Randy Weston describes and plays an example of Harlem Stride Piano, followed by Producer Orrin Keepnews, a segment of James P. Johnson’s The Mule Walk (1939), and closes with Randy Weston describing how Monk “put the traditional and modern ... together - so there was no separation” and demonstrates this playing Monk’s tune, Functional using a little bit of stride.